[The Society of Calligraphers envelope] (W.A. Dwiggins) dotdotdot This one is a toolkit

This one is a toolkit for writing and remembering queer and trans histories

has considerably enhanced the value of craftsmanship

It’s a set of lowercase letters with serifs—and they’re greenish

But when they got down to 10-point type Rogers balked

and arts community to see if funds could be raised on his behalf

[The Society of Calligraphers envelope] (W.A. Dwiggins) dotdotdot This one is a toolkitAn empty envelope is worthless save for its potential to hold a letter. This one is no different save for the fact that it has a return address lettered by Billy Dwiggs. He had Studio No. 201 at 30 Ipswich Street in Boston from 1922 to 1929, but we have reason to believe that this is from 1923ish. A rare thing.