Karl Lindh – Bortom E4's Horrisont [LP] Sound Art / Sound Poetry and AACM-esque flute jams are

and AACM-esque flute jams are interrupted by violent bursts of laughter and wet-mouthed sound poetry

Paradoxically functioning as both Harry Pussy's curtain call and final act

rat-arsed rock 'n roll slur ("89¢ Public Render") or sulphurous aggro-electronics (the two-part title track)

a composition whose melodic drive and percussive groove reminds on moondog’s spirit

The stereo and computer were both left undisturbed for an afternoon

Karl Lindh – Bortom E4's Horrisont [LP] Sound Art / Sound Poetry and AACM-esque flute jams are"Smudgy existential electronics and pristine minimal jazz with a furtive, fugitive feel. It's a creepy, brown carpeted, Cold War ish mise en scene, painted with a wonderfully peculiar palette keyboards, double bass, vibraphone and rigid drum machine tick n tock, a perfect marriage of fluency and stiffness, of all pervading paranoia and carefully portioned camp (Kraftwerk in The Red Room?). Romance too "Djurgardsgatans Ogonblick" and "Jag. Mitt Kaffee"