Defending Rumba in Havana Andromache Karanika are rooted in the disparities

are rooted in the disparities and malfunctioning of the Soviet regime

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In The Years of Blood

spiced with the echoes of a romantic history

Defending Rumba in Havana Andromache Karanika are rooted in the disparitiesIn Defending Rumba in Havana, anthropologist and dancer Maya J. Berry examines rumba as a way of knowing the embodied and spiritual dimensions of Black political imagination in post Fidel Cuba. Historically a Black working class popular dance, rumba, Berry contends, is a method of Black Cuban struggle that provides the community, accountability, sustenance, and dignity that neither the state nor the expanding private market can. Berry's feminist